Otherwise, with time and increasing consumption, the paint becomes more viscous. Because there is always something on the bottom, which you should completely dissolve. You should also always shake the professional airbrush colors before mixing them. But then you should definitely increase the nozzle size and pressure. However, if you want to use white paint as a primer with otherwise transparent paints, a high or even pure form is correct. You should also remember to use a higher pressure. Given nozzle clogging, at least 1 to 3 or 1 to 4 is the best mixing ratio. This is because well-known manufacturers have provided these with a higher pigment density. The mixing ratio of white paint or even black color should often be higher. 1 to 1 or even less water is usually the better choice to achieve the concentration and fast drying, but still not clog the nozzle. It can also be a little more concentrated in the custom painting area or on the aforementioned smooth furniture. These standard mixtures for Aqua paint on the painting surfaces, pure drawing cardboard, canvases, nails, etc., result in a sufficiently high opacity. 1 to 10 to 15 are the appropriate guide values here. The special airbrush thinners require a much lower mixing ratio because they are often more concentrated. But for the most common water-soluble paints, for example, you should mix 1 drop of color with 2 drops of water. Of course, the right consistency is always relative, especially about the factor above 3. Dilute airbrush paint: The correct mixing ratio Here, you will experience fewer mistakes with running paint because it dries very quickly on such a painting surface. On the other hand, very absorbent are the unique pure drawing boards for airbrushes, canvases, and, of course, T-shirts and other textiles. However, a prior primer can also remedy the situation and improve the condition. On the other hand, if you dilute them too much with water, they will dash on these surfaces. Smooth surfaces like metal, coated furniture, or even soft plastic like concentrated paint. The painting surface is not insignificant if you want to dilute water-based paints. On the other hand, if you only want to spray on a soft mist or smoke, highly diluted paints are the right ones. If you want the color to be very opaque the first time, maintain a high concentration. This is then the powerful question, as should be the right consistency. In addition, your intention is decisive as to how the color image should look later. Prophylactically, you could then increase the pressure on the compressor so that a lovely mist of paint continues to come out and the nozzle doesn’t clog. Otherwise, there is a risk that they will clog faster than the large ones. If you have a tiny nozzle, about 0.15mm or 0.2mm, you usually need to dilute more. Therefore, more thinner or water should be added to the dye used, depending on your preference. Opaque acrylic paints are usually more pigmented than the other colors for airbrushes. You will quickly see in a test with newly used paints which is thicker or thinner when sprayed on a sheet of paper. This applies to all popular paints from Schmincke, Revell, Createx, Timbertech, etc. Each color has a slightly different mixing ratio about its pigments. The first factor to consider is what type of paint you are using. These are listed below: Factor 1 – Type of paint Various factors tell you whether you should thin the paint or use it pure. Airbrush paint thinning: Important factors Otherwise, they will clog the nozzles, and you will have to use the airbrush cleaner. Then mix the rest with a thinner and use these old colors completely.Įspecially the other acrylic paints, mainly not initially intended for the airbrush technique, you will certainly have to mix. Maybe you didn’t shake well enough before use, and focused paint pigments automatically stick to the bottom or other corners. When a paint bottle runs low, you can always end up with a highly concentrated residue. If, on the other hand, you want to achieve a high level of opacity on the first pass, mixing should be avoided. Therefore, you should keep an eye on both and consider the correct mixing ratio of paint to thinner. On the other hand, too high a mixture can cause the colors to run. In addition, it is also those desired effects that are interesting when depicting clouds or haze and fog and sometimes can only be created by highly fluid colors. You should dilute the airbrush colors so that the nozzles don’t clog up, no sprinklers or even color dropouts occur. Special tips regarding the mixture of conventional airbrush colors, alternative acrylic paints, and renowned Revell colors round off the explanations. Which these are, is therefore also explained. It is always about essential factors that influence the mixing ratio. These explanations are about why airbrush colors should actually be diluted.
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